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The narrator, Raskolnikov reaches deep into the most complex workings of the human mind. He explores the most obscure motives and subtle shifts of mood in the mind of a criminal. Meaning, a large part of the “action” of the novel takes place in a criminal’s mind (Raskolnikov). This type of narrative method is called a monologue, which is a form of dramatic entertainment by a single speaker. The narrator uses monologue in order for the reader to fully comprehend the narrator’s description of his unclear and mysterious motives for his crime through having the reader listen/read about different philosophies of crime.
The narrator also makes clever use of a few, but strong, dominant symbols throughout the novel. In order for the reader to really capture the unpleasant depths of Raskolnikov’s criminal mind, he must use imagery and symbols to really lure the reader in and assist in giving subtle clues. These pieces of writing are ingeniously woven into the surface of the narrative to give it a twisted, imaginative aspect. He makes use of dreams, nightmares, and other images to help symbolize and to help paint a clear mental picture of what is going on in the criminal’s mind. The narrator uses Svidrigailov’s whip to symbolize the beating to death of a horse in Raskolnikov’s dream and to advocate the idea of cruelty. The sight and smell of blood and fresh paint are precisely placed in the plot as well as recurring symbols of Raskolnikov feelings of permanent guilt after the murder. This sets forth a very graphic picture of the inner core of the murderer’s mind and genuine intentions.
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