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William Shakespeare’s adaptation of the famous tragedy ‘Romeo and Juliet’ is one of the most famous plays ever to be written. Although based in 16th Century Verona, many ideas and characterisations are still found familiar within today’s society. The concept of rivalry and forbidden love is the main theme of the play and can be recognised outmost from the opening scene.
The main characters - Romeo and Juliet - are from separate families. The Capulets, of whom Juliet belongs to, are at unmitigated rivalry with the Montagues Romeo’s family. Through inauspicious chance, Romeo and Juliet meet and fall instantly in love. Their bond must be kept secret, or else will result in terrible circumstances. Juliet barely older than a child is in deep infatuation, therefore causing the implications of her romance to subside her attention. Although Romeo realises the impending dangers more than Juliet, he is still unwilling to take action over the relationship. Both only want to make their love grow stronger.
The history of the 16th century plays an important part in many of Shakespeare’s plays. Ideas and morals were very different from the way they are now. An example showing this in Romeo and Juliet is the way Juliet’s parents initially decide who she is to marry. It is also socially acceptable for girls as young as twelve or thirteen to bear children and get married. However, in today’s society, that would be regarded as deplorable and unacceptable.
Juliet’s first appearance in the play is not until Act One Scene Three. This is the point of which Lady Capulet announces to her daughter that she is to marry Paris. At this early stage in the play, Juliet has yet to meet Romeo, therefore has no extensive objection to the idea of being wed. As her mother asks her how she feels about getting married, Juliet replies
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Juliet is ruled by her heart rather than her head. How does this create tension throughout the play and especially in Act Three Scene Five? Why is Act Three Scene Five important in forcing the rest of the play to its conclusions?
“It is an honour I dream not of.”
By saying this, Juliet implies that the idea of marriage has not entered her mind. Furthermore, she suggests that to be wed would be an honour, although not something she would covet in such an early stage of her life. Subsequent to this scene, Juliet does not appear again until Act One Scene Five, where she is to meet with Romeo.
Juliet is blissfully unaware at this stage that Romeo is not a Capulet, but in fact is a Montague. This is, in all probability, the reason that Juliet let her heart love Romeo as easily as she did. However, once the truth is exposed, Juliet’s feelings cannot be taken away, therefore she is exposed the numerous complications the relationship will lead to. Their first meeting, as short as it may, has a great impact on the rest of the play. It introduces the audience to the idea of love at first sight how just after one short meeting, two people can realise they want to spend the rest of their life together. Today, this concept is thought of as a mere fairytale, yet this is perhaps one of several crucial focuses of the story.
Shortly after Romeo and Juliet’s first encounter, Juliet shares with her nurse the events of her evening. It becomes apparent to the audience that Juliet is even unaware of her love’s name, as she speaks to the nurse
“Go ask his name. If he be married,
My grave is to be my wedding bed.”
In other words, Juliet is saying that she would rather die than not be able to marry him. This line alone is clear evidence that Juliet is ruled by heart other than her head. She has barely met this man not even knowing his name and already Juliet anticipates that they will be married. This creates tension within the audience, who are aware of his name and background. More importantly, they are aware of the fact that he is a Montague, therefore can expect trouble will occur at some point along the play.
As Juliet’s nurse discloses Romeo’s correct identity, Juliet is obviously shocked; yet the love she already bares does not falter. From line 16 of Act One Scene Five, she says
“My only love sprung from my only hate!
Too early seen unknown, and known too late!
Prodigious birth of love it is to me,
That I must love a loathed enemy.”
Juliet is saying that her only hate has turned into her only love. It was unknown to her to start with, and now she has found out it is too late. Her new love is full of foretelling evil, as she now loves a hated enemy. The way she says this shows no signs of her loving Romeo any less because of his found identity still she adores him. Furthermore, those four lines are very effective with the audience. Shakespeare uses ‘Iambic Pentameter’ to put ten syllables into every line. This creates a steady and incessant pace. Rhyming couplets are also used throughout, although less constant. Many parts of Shakespeare’s plays rhyme, although some are not as apparent to the audience as others. Using rhyming couplets is perhaps the most obvious way.
Act Two Scene Two shows Romeo and Juliet’s second meeting. Juliet is stood on the balcony, whilst Romeo is below, speaking words of love. He does not realise that Juliet is listening until she interrupts him at one stage. On line thirty-three, Juliet says
“O Romeo, Romeo, wherefore art thou Romeo?
Deny thy father and refuse thy name;
Or if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.”
Loosely translated into modern day transcript, Juliet is asking Romeo why his name is ‘Romeo’. She says that Romeo should go against his father and change his name if he will not do this, he should marry Juliet so she will no longer be a Capulet. This is another evidential line which proves that Juliet is ruled by her heart over her head. Still she knows Romeo a mere few hours, already she is suggesting that they get married. Juliet seems to only be thinking about the positive outcomes; she does not realise the problems that would come out of either Romeo defying his father, even more so getting wed.
Juliet’s character is stereotypical of a young woman in love, even in today’s society. The way she acts which could also be labelled as ‘ditzy’ shows this clearly. Line fifty-four of Act Two Scene Five is such an example
“…Sweet, sweet, sweet Nurse, tell me, what says my love?”
Earlier in this scene, the Nurse approaches Romeo to find his intentions of the future with Juliet. The Nurse has returned with the news to tell Juliet, though will not tell her straight away. Juliet is impatient to find out what her love has said; almost so impatient that she is creeping up to the nurse as to hear the announcement sooner. The eagerness of finding out what Romeo has said is an indication of the amount of love Juliet bear for him.
Act Three Scene Five is a very important scene of the play. Romeo and Juliet have consummated their marital status, and as dawn ascends, both must bid farewell. A bird is heard a lark, signifying the break of day although Juliet refuses to believe this, convincing herself and Romeo that it was only a nightingale. From line one of Act Three Scene Five, Juliet says
“Wilt thou be gone? It is not yet near day
It was the nightingale, and not the lark,
That pierc’d the fearful hollow of thine ear;
Nightly she sings one yond pomegranate tree.
Believe me, love, it was the nightingale.”
This stanza could intend one of two things either that Juliet truthfully believes that the bird is in fact a nightingale; or secondly she knows it is really a lark, but is scared to admit this to Romeo. Again, this shows that Juliet is ruled by her heard rather than her head. She sees not the dangers that lie for Romeo, if he does not leave right away, yet only sees the time they spend together, wanting it to last as long as possible. However, as Romeo replies to Juliet he makes her realise the risk he is at, therefore she quickly changes her decision. From line seventeen, Romeo declares
“Let me be tane, let me be put to death,
I am content, so thou wilt have it so…”
“…I have more care to stay than will to go
Come, death, and welcome! Juliet wills it so.
How is’t, my soul? Let’s talk, it is not day.”
Romeo is saying that if Juliet wants him to spend more time with her, then he will let that be. He would rather be put to death than to not give Juliet what she wants. This line creates tension in the audience, leading them to anticipate the worst outcome. When Juliet realises this is what will happen to Romeo, she quickly retracts what she says
“It is, it is, hie hence, be gone, away!
It is the lark that sings so out of tune…”
Juliet does not want to see Romeo be killed, just for spending a few extra minutes together. She persists he must leave right away as to save his life. Following shortly, the nurse enters Juliet’s chamber with warning of Lady Capulet’s forthcoming presence. Romeo must leave immediately as he does, Juliet says
“Then, window, let day in, and let life out.”
This is a comment that Juliet imaginably would say to herself. As Romeo leaves through the window, she is saying that now daylight is let in, and life in other words, Romeo has left out of it. As Lady Capulet enters, she can see that Juliet is troubled. Juliet’s mother believes her to be grieving of the death of her cousin; yet Juliet along with the Nurse and the audience know the truth that she grieves the departure of Romeo. On line sixty nine, Lady Capulet says to Juliet
“Evermore weeping for your cousin’s death?
What, wilt thou wash him from his grave with tears?
And if thou couldst, thou couldst not make him live;
Therefore have done. Some grief shows much of love,
But much of grief shows still some want of wit.”
Juliet’s mother is simply telling Juliet that shedding tears for her cousin’s death will not make much difference. Some grief shows that she has love, although excessive grief shows lack of sense. To her mother’s somewhat heartless comment, Juliet replies
“Yet let me weep for such a feeling loss.”
Juliet tells her mother to let her weep for a loss she feels so much. Juliet says this with the intent of meaning Romeo; her mother believes she is talking about Tybalt, as she does for some way through the scene. Lady Capulet talks about seeking vengeance on the one who sent Tybalt to his grave Romeo. An important factor displayed throughout this scene is the deceit that Juliet previously an honest, trustworthy child shows towards her parents. Juliet replies to her mother with a line to be taken to mean two separate things
“Indeed I never shall be satisfied
With Romeo, till I behold him dead
Is my poor heart, so for a kinsman vex’d.”
As Juliet says this, Lady Capulet would in all probability take it to mean she would not be happy until she has Romeo dead (..Till I behold him dead). Although the audience will foresee her intent of the speech to mean she will not be content until she has Romeo, and until that time her heart aches (…Till I behold him…dead is my poor heart). This is clever wordplay on Shakespeare’s behalf, as the audience can clearly see the two sides of what Juliet says.
Once Lady Capulet notifies Juliet she is to marry Paris the upcoming Thursday, Juliet declines, therefore causing her father to enter. Lord Capulet is enraged with his daughter the way he acts displays the sort of behaviour within roles played by men and women at the time of writing. Shakespeare cle.
arly shows that Lord Capulet is in charge in other words, he is the last say in any discussions or arguments to take place in his household. In various ways this behaviour is still not unusual to some of today’s families, although in most cases and especially in families willing to live ‘modern lives’ there would be a significant contrast. To begin with, children would be given more freedom of choice; additionally the father of the family if the family was indeed just made up of one complete unit would not be as dominant as perhaps Lord Capulet is. From line one hundred and sixty in Act Three Scene Five, he exclaims
“Hang thee, young baggage, disobedient wretch!
I tell thee what get thee to church a’Thursday,
Or never after look me in face.
Speak not, reply not, do not answer me!
My fingers itch. Wife, we scarce though us blest
That God had lent us but this only child,
But not I see this one is one too much,
And that we have a curse in having her.
Out on her, hilding!”
Lord Capulet curses Juliet tremendously. The audience having felt the tension building up imaginably feel sorrow for Juliet; she is receiving anguish that in some ways she does not deserve. As he says his fingers itch, this means he urges to strike Juliet. The violence Lord Capulet shows towards his daughter would be frowned upon in today’s society. In the time of Romeo and Juliet, however, this kind of brutality is acceptable.
Lord Capulet says that if Juliet does not go to the church on Thursday to marry Paris, she will never again look her father in the face meaning that she will be disowned by him. This point is proved furthermore by Lord Capulet as on line one hundred and eighty nine, he says
“…Graze where you will, you shall not house with me…”
Lord Capulet is saying that Juliet can go wherever she wants, but she cannot live under his roof unless she exchanges matrimonial vows with Paris. He is obviously furious with his daughter for disobeying his commands; perceptibly Juliet cannot tell him the real reason she cannot marry that she is already wed, to a Montague. The audience will be shocked at the bluntness of Juliet’s father’s comments, yet Juliet manages to refrain from getting angry with her father she knows that his will enrage her father furthermore. To her father’s hateful curses, on line one hundred and ninety six, Juliet replies
“Is there no pity sitting in the clouds
That sees into the bottom of my grief?
O sweet my mother, cast me not away!
Delay this marriage, for a month, a week,
Or if you do not, make the bridal bed
In that dim monument where Tybalt lies.”
Shakespeare uses successful linguistic styles the metaphor that begins Juliet’s speech is very effective; Juliet’s thoughts are shown through it. “Is there no pity sitting in the clouds that sees into the bottom of my grief?” This line alone has an impact onto the audience. Juliet is trying to persuade her father of her point of view by asking him if he cannot feel some remorse for his daughter, as she is in a high, happy place looking down into her sorrow.
Juliet is pleading for her mother to not cast her away. She asks to delay the marriage for a month, even a week if they don’t, her bed will be in the family tomb where Tybalt lies. Juliet is obviously confused as to what to do stay married to Romeo, whom she loves dearly, but would cost her everything or obey her father and marry Paris, which would mean losing Romeo. She turns to her Nurse to seek advice
“O God! O Nurse, how shall this be prevented?
My husband is on earth, my faith in heaven;
How shall that faith return again to earth,
Unless that husband send it me from heaven
By leaving earth? Comfort me, counsel me…”
Juliet’s marriage vow is registered in heaven, and so long as Romeo is alive on earth, Juliet is bound to that vow. The only logical way to be unmarried from Romeo would be if he died. Juliet seeks comfort from her Nurse, whom she has entrusted her faith all of her life. To Juliet’s plea, the Nurse replies
“Faith, here it is
Romeo is banish’d and all the world to nothing
That dares ne’er come back to challenge you;
Or if he do, it needs must be by stealth.
Then since the case so stands as now it doth,
I think it best you married with the County.
O, he’s a lovely gentleman!
Romeo’s a dishclout to him…”
The Nurse is saying that Romeo is banished from Verona; there’s little chance that Juliet will ever see him again the Nurse is willing to stake that Romeo will never come back to claim Juliet as his wife. The Nurse believes it is best if Juliet marries Paris. She tries to convince Juliet of this by telling her how lovely Paris is Romeo is a dishcloth in comparison. Juliet makes her nurse believe that she is now comforted, and all will be made well. On line two hundred and thirty, Juliet says to the Nurse
“Well, thou hast comforted me marvellous much.”
The Nurse believes this as Juliet’s truthful word, and exits Juliet’s chamber. The audience know that all is not well as the Nurse exits, Juliet recites a soliloquy which dramatically affects the outcome of the rest of the play. From line two hundred and thirty five of Act Three Scene Five, we read
“Ancient damnation! O most wicked fiend!
Is it more sin to wish me thus forsworn,
Or to dispraise my lord with that same tongue
Which she hath prais’d him with above compare
O many thousand times? Go, counsellor,
I’ll to the Friar to know his remedy;
If all else fail, myself have power to die.”
In this short stanza Juliet releases much unknown hatred towards her Nurse. She begins by calling her a damned old woman. She says is it more sin to ‘dispraise’ Romeo (described as her ‘lord’) after she had praised him above comparison many times. Juliet announces to the audience that she is to see the Friar for poison a remedy which will make her appear dead to the eye for three days or if all else fails, she has the power to kill herself.
Those few lines spoken by Juliet reckon much of the outcome of the play. The audience are now aware of Juliet’s darkest plans to escape the result of either marrying Paris or losing her family. Overall, this scene shows nigh on every happening of the last two Acts of the play. The audience are aware Romeo has been banished; Paris is prepared to marry Juliet within a week; Juliet will do anything even commit suicide to avoid that fate. Before this point onwards, the audience may have been expecting a happy ending of Romeo and Juliet together; behind this scene, the indication of that prospect becomes less. Juliet’s last line “If all else fails, myself have power to die” has a great impact on the audience and very much makes discernible the catalyst of the plot leading to Romeo and Juliet’s death.
The previously mentioned lines of the play show clearly that Juliet is ruled not by her head, but by her heart. The way she acts towards Romeo at the beginning shows this outmost the way Juliet was willing to risk everything just to spend a few moments with her true love. Many other points in the play also plainly show the audience that no matter what happens to Juliet, she will be unaffected to a great extent as long as Romeo remains with her.
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